words are nothing without definitions

the most often advice a writer receives is to write what you know. that without dipping into your own well, everything comes across as contrived. this always seems like such simple advice, always seems like simple fact in the face of trying to write fiction or truth. I don’t know about other writers, but I find this the hardest piece of advice to follow. I don’t know why, to be honest. Fear? maybe. Boredom? perhaps. Confusion? more than likely. It makes no sense, in reality. The only person with your complete history and perspective is you, yet I fail to be able to conjure it out of the aether of my life.

Tonight, I am yet again sitting here faced with a million possible word combinations, and none of them seem important enough for the words I do want to say. That my life, and thoughts, and word choices up to this moment are not necessarily false, but that they have no true context, no conjoining knot to follow through to the soul of the definitions. I think at times that maybe poetry is where it comes out, and at times it does. There are honestly five poems that I have written in my life that have told more truth about myself than any other thing I have shared. Be it through acting or music, or memoirs, none of them compare to those five poems in my heart, in the soul of my own truth.

I don’t know what happens in between those poems. Perhaps it’s like the musician trying to recapture that perfect rhythm over and over again. Trying to hang onto fleeting beauty, and who you are when that creation flows from you. It’s almost ironical when viewed from the prism of life. To be frank, I don’t know what happens from the start of saying something, to the end of it. It’s as if a metaphor is waiting to be written that I can never find the method to. Each word chosen too carefully, each sentence edited too much, each stanza carved down to everything but I want to say.

I drove this last week up to montreal to help some friends move. The whole drive I was lost. The whole moment of moving them, lost in the notion that I have lived thirty years and have no way to truly tell that story. No way to get those words out. At times I feel like I have lost my center, but in reality it feels as if I have never found that middle in the first place. That I have been drifting my entire life, and because of that, all of this passion is like an afterburner without a rudder.

Currently I work a job. That is all it is. I know that others have it harder, and I feel guilty most of the time for even thinking that I need for something else. But the more I run from it, the more I just say I need to pick myself up, the further I drift away from those five poems. From the truth of who I am in those words. I read them over and over again, trying to figure out where that person is. When I know that person is right here. There is no key that will unlock being able to write what I know. Not enough editing in the world that will find me carved out of the clay of this accumulated life of other peoples wishes.

I know something has to change, and I am tired of waiting for that. A long time ago I swore off grandiose statements because of my lack of follow through for myself. Perhaps that is the change I need to make now, and here. Because no matter what, if I am going to write: I need to become that person that I know I want to be and am in those five poems. Afterall, life isn’t an excuse for justifying what this world turns us into. Life is who we are when writing what we know.

Math has nothing on Metaphor

if we can write the future
using quills made from the
feathers of a phoenix
on it’s last time around
our burn, then
we should make sure
that each comma
and semi-colon (i love
semi-colons; you know)
and period and sentence is
like your finger tracing down
the spine of dusty leather book
left at the back of
the shelf; mainly because
we know that to read it might just
mean that it has an ending.

if we can forget our past
like a jet forcing our hearts
back against the history
of atoms racing over each end
of our wing in that color of
forced condensation like that
night the taxi lights held
the other side of our world
at bay long enough to lose
ourselves in the alleys
that were really meant for you
and now and not them and then.

if we live our presence out
of this space we each are breathing
inside the magnet of
amplified worldwide electrons
playing the splaying of the laying
of every progression that
we both know echoes louder
than an eclipse and softer
than a concern.

degrees of arc

engineers use white and blue:
to sell the gradations at
which to build a foundation
that will remain stable in
the midst of even the most
triumphant of downpours.

surveyors use steel and hammers:
to draw a boundary
of where we are to build
all of that concrete mixed
by mud and hearts
rolled in by the barrows deep in my hands.

excavators grind out the dusty dirt:
that has hidden all of the
stories made by men’s mysticism like
dream caught rainmakers in
the most hallowed of longhouses
like thunderbirds carving your totem.

we build a construction of words:
wisdom passing an unknown guidance
higher and higher and wider and wider,
our story will grow longer as we place
every board at the beginning of the
eloquent madness of future history as
we elegantly build our mystery.

smolder

here is a match lit in
my hand.
the sulphur tipped wooden
recalcitrant caller telling me
that in these seconds, prior to
us inhaling,
we are alive.

that match can ignite the stack
of books written by the fresh hands
of teenage wanderers who
know pentameter but choose to disregard.

there is a lantern lit in
your hand.
the cave stretching out before
us with the ruddy clay imposed
midnight echoing the paths
we get lost in
searching
for your flame.

that lantern can reflect the image
of a flashlight in our mouths
orange with wonder and red
with youth.

there is a fire burning with
your embers.
slow and smoldering with blue green
hot hiding the subtleties of
the crackled fizz pop
of my
explosion.

acceleration like axioms

i will drive at sound’s speed
if you ask.
meeting in that worn out motel
room with brass.
found at the convergence of
no questions asked,
with
the definition as simple as
your seductive task.

i will fly at mach three
if you dare.
meeting in that glinting gravel
road’s rarefied air.
found at the whisper of
destination’s stare,
with
my hand passing through your
rubicon of hair.

i will run at light speed
if you require.
meeting you at the ascending apex
of delicate spires.
found at the junction of
your heaving fire,
with
only the present tense gliding
through our desire.

words are like showers

the line that traces down your hair
past that spot on your neck
that only we and the poet know about.
only i haven’t felt it yet
but you know it’s there and
with my words i could find it past
the couplets using your hand as a guide.

that line tracing down your back
past your hips to that place just
above your leg that you tell me about.
i am sure that it exists even though
my hand was made to its measure,
or so i have been told by the carver
of your virtue who betrays you in sleep.

the line traces down to your feet
drawn by the hand of a painter
long dead but not forgotten since his
final work of your masterpiece
hangs in that museum with the overflowing
gutters of warm summer rain drenching
that window i peek through in your dreams.

lather, rinse, repeat, repeat, repeat

when you shower i
wonder how long it takes you,
i would stay forever.

distance = time/substance

i know that i could sleep next to you:
we would huddle in all of those
fairytales to hide the monster
living in our closet.
the one who likes to eat laughter, even
more than he likes those cakes made of
chocolately ideas we forget to feed
us.

i know that i should dream next to you:
we fly over the mountains and
rivers like our capes flittering
with word like confections that
love is made by the sand we are
from and you, you would sleep next to me:
to breathe out all of that
history to make room for us to inhale
future like a hukuh left behind
by the forgetful caterpillar
who smiles to guide the
story.

you know that you would dream next to me:
and we would take off in that rocket
across the galaxy on the left
hand side of visible
certitude.

you know that we should remember forever:
every unknown quantity that has
us wondering what happens from watch to
watch.

we know that we can keep this together:
even though we worry about how close we are
to the september of our
life.

we know this will never define us, but rather unite us.

blankets have only one logic

Angus&Julia Stone//Paper Aeroplane
fsd

i know that the pillow
only fits my head
shaping the feathers next
to my exhaled emotion
and hair
tossing
round
and
round
and round
with midnight behind
the silk of what your hands
could steal away
underneath my willow.

i know that the sheets
only form the linen
of ballerinas prowling near
the window breezing
and limbs
turning
over
and
over
and over
against the mystical
framgment of what your mind
could be gathering
by the side of my street.

i know that you are awake
even though distance
is folded near the feet
of my nightly bed
and breathing
in
and
out
and in
is all that inside
every one of these moments
hearing you take
that dream for sleeps sake.

dreams are little bits of insomnia

when silence sounds like
sleepless breathing surrounding
me i wake with you.

order and reason

days

March 2010
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