words are nothing without definitions

the most often advice a writer receives is to write what you know. that without dipping into your own well, everything comes across as contrived. this always seems like such simple advice, always seems like simple fact in the face of trying to write fiction or truth. I don’t know about other writers, but I find this the hardest piece of advice to follow. I don’t know why, to be honest. Fear? maybe. Boredom? perhaps. Confusion? more than likely. It makes no sense, in reality. The only person with your complete history and perspective is you, yet I fail to be able to conjure it out of the aether of my life.

Tonight, I am yet again sitting here faced with a million possible word combinations, and none of them seem important enough for the words I do want to say. That my life, and thoughts, and word choices up to this moment are not necessarily false, but that they have no true context, no conjoining knot to follow through to the soul of the definitions. I think at times that maybe poetry is where it comes out, and at times it does. There are honestly five poems that I have written in my life that have told more truth about myself than any other thing I have shared. Be it through acting or music, or memoirs, none of them compare to those five poems in my heart, in the soul of my own truth.

I don’t know what happens in between those poems. Perhaps it’s like the musician trying to recapture that perfect rhythm over and over again. Trying to hang onto fleeting beauty, and who you are when that creation flows from you. It’s almost ironical when viewed from the prism of life. To be frank, I don’t know what happens from the start of saying something, to the end of it. It’s as if a metaphor is waiting to be written that I can never find the method to. Each word chosen too carefully, each sentence edited too much, each stanza carved down to everything but I want to say.

I drove this last week up to montreal to help some friends move. The whole drive I was lost. The whole moment of moving them, lost in the notion that I have lived thirty years and have no way to truly tell that story. No way to get those words out. At times I feel like I have lost my center, but in reality it feels as if I have never found that middle in the first place. That I have been drifting my entire life, and because of that, all of this passion is like an afterburner without a rudder.

Currently I work a job. That is all it is. I know that others have it harder, and I feel guilty most of the time for even thinking that I need for something else. But the more I run from it, the more I just say I need to pick myself up, the further I drift away from those five poems. From the truth of who I am in those words. I read them over and over again, trying to figure out where that person is. When I know that person is right here. There is no key that will unlock being able to write what I know. Not enough editing in the world that will find me carved out of the clay of this accumulated life of other peoples wishes.

I know something has to change, and I am tired of waiting for that. A long time ago I swore off grandiose statements because of my lack of follow through for myself. Perhaps that is the change I need to make now, and here. Because no matter what, if I am going to write: I need to become that person that I know I want to be and am in those five poems. Afterall, life isn’t an excuse for justifying what this world turns us into. Life is who we are when writing what we know.

to everything

when leaves turn
outside
there is a
tide
that swirls
under
the center of
lives.

when seasons turn
around
there is the
time
that slips
about
the center of
galaxies.

when winds churn
sails
there are the
rhymes
that follow
along
the center of
wonder.

statistics are fallible

the center of a soul
is all that it takes
to find where you call
home.

the ringing in our ears
playing off the doors in
the copper canyons of our
rome.

the center of our heart
is all that it takes
to save our souls for
home.

the lingering in our feet
bouncing off the floors
in marble monsoons of
hope.

time is measured by accident

empty sheets are not
as soft as the skin I will
take years to caress.

Carve out Patience

Tunnels are built by
women
of men:
manipulating explosive design
into a subtle science
of opening the immovable
creating chasms
we talk quietly
through.

Tunnels are just one
of a thousand superstitions
from youth like your feet held
high over tracks that
carried prosperity to my
home before it was
our home.

We hold our breaths to pass
by the entrance too,
with darkness and horns
and counting and a magnetic
vacuum of instant time travel
in your mind and my mind
and their mind and our mind
pulling us true: on pavement
or track or feet or on a playground
next to swings taking us higher and
straighter into the night air as you remember
exactly the story we are going to tell each other
just after the bark is shook loose from corduroy
like dandelions rubbed on palms or noses as we mark
every youth.

Tunnels are built to pass through
with the recalcitrant light eschewing the end of
false darkness on a granite
we used to use to outline black powder hands
to show that we are more human
than previous incarnations.

Tunnels are easy to pass through
even though the darkness seems
darker like a bulb flitting out at
the last second.
This tunnel we pass through
fast like a builder to
unfasten earth.

Tunnels are for passing through:
you and I?
well we’ll just enjoy the view.

degrees of arc

engineers use white and blue:
to sell the gradations at
which to build a foundation
that will remain stable in
the midst of even the most
triumphant of downpours.

surveyors use steel and hammers:
to draw a boundary
of where we are to build
all of that concrete mixed
by mud and hearts
rolled in by the barrows deep in my hands.

excavators grind out the dusty dirt:
that has hidden all of the
stories made by men’s mysticism like
dream caught rainmakers in
the most hallowed of longhouses
like thunderbirds carving your totem.

we build a construction of words:
wisdom passing an unknown guidance
higher and higher and wider and wider,
our story will grow longer as we place
every board at the beginning of the
eloquent madness of future history as
we elegantly build our mystery.

reasons

painting with the stars is
by far the easiest brush
to extend from the wrist
and flick the tale of
water color across the
canvas carved onto the leaves
gathered up into that pile
in the fall of youth.

raining the words down
upon the ears is by
far the easiest way to tell
someone those stories about
the twenty foot high fence
we would erect around them,
but the easiest route to
to the gate through a garden
tilled and sowed and
planted in your heartbeats.

explaining that life is just
images passing from novels
written by those that
have yet to plot a suitable ending
is really the narrator’s easy
way out, and we don’t really
like easy, do we?

smolder

here is a match lit in
my hand.
the sulphur tipped wooden
recalcitrant caller telling me
that in these seconds, prior to
us inhaling,
we are alive.

that match can ignite the stack
of books written by the fresh hands
of teenage wanderers who
know pentameter but choose to disregard.

there is a lantern lit in
your hand.
the cave stretching out before
us with the ruddy clay imposed
midnight echoing the paths
we get lost in
searching
for your flame.

that lantern can reflect the image
of a flashlight in our mouths
orange with wonder and red
with youth.

there is a fire burning with
your embers.
slow and smoldering with blue green
hot hiding the subtleties of
the crackled fizz pop
of my
explosion.

I think we’re crazy

when i think of eyes
words can not do your’s justice
so i hope thoughts do.

yellow glitter

we have read that dreams are under
the guide of a subconscious
wunderkind cinematographer
who leaves the movement of
dollies and the lensing to
the lesser hands of stored
proposition and delectable
narcissism.

we know that time is drawn up
in that tracing paper book
left in all of those rooms
we retreat to when the night is
colored with left over
crayons from the box of 64
left to melt in the sun.

we learn that each direction
is really just the next
dance recital of those ballerinas
that are only interested in
the clippity-clap their tap
shoes make as we dance into oblivion.

order and reason

days

March 2010
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